By Bettye Griffin
Griffin is a budding identify in mainstream African American fiction. --Chicago magazine
After her father's demise, Emily Yancy concurs to maneuver again to her dead-end fatherland. yet she's dreading each minute she'll need to spend in her mother's tiny house. in the end, she's a forty-three-year-old divorcée who is doing simply nice on her personal. There are a few rewards for dutiful daughters though--like Aaron Merritt, a wealthy, unmarried health professional with chocolate pores and skin and bed room eyes. . .
Aaron is quickly taking Emily to fancy eating places and welcoming her to fulfill his family members. but if the lighting fixtures exit, something's lacking. input Teddy Simms, Emily's eighth-grade overwhelm. Teddy hasn't accomplished what Aaron has--but he is picked up a couple of abilities in different parts. Will Emily decide on a courting that does not fulfill her mind--or a simple compatibility that does not fairly expand into the bed room? Or is there a way she will locate the easiest of either worlds?
"A compelling drama approximately 3 households striving for the yankee dream." --Booklist on If those partitions may Talk
"Fear and pleasure virtually jump off the pages. A well-written tale you are going to hate to determine end." --RT booklet Reviews on Once Upon a Project
"Griffin expertly explores the common look for love." --Booklist
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Extra info for A New Kind of Bliss
Let Emily take care of it,舡 they would say. 舠She doesn舗t have a husband. 舡 Bullshit. Sonny舒my brother舗s nickname from childhood, which I thought was silly, considering he was now fifty-five years old and a grandfather舒and Cissy were eleven and thirteen years my senior, respectively. They both had kids, most of whom were grown and out of the house. Sonny taught mathematics at SUNY New Paltz, but it was only early June and there wouldn舗t be classes until the fall. Cissy was general manager of a big convention hotel in Pittsburgh, but it wasn舗t like they couldn舗t find someone to fill in for her, somebody like, if I had to guess off the top of my head, the assistant general manager.
We said good night to a beaming Mom and set out on our way in Wayne舗s Grand Marquis. The day had been warm, but the night was cool. June in New York had always been iffy, and I was grateful the shawl I borrowed from Mom was a knit blend and not the oversized lace doily type that provided no warmth whatsoever. 舠Your mother seems to be doing pretty well,舡 he remarked. 舠Yes. 舡 舠You舗re moving back to Euliss? 舡 I shrugged. 舠Well舰I don舗t know if 舖moving舗 is the appropriate word. 舡 In the back of my mind I was already dreading having to change locations twice in six months.
Mom lived in an early-twentieth-century house, originally a large private home that had been converted into apartments. She and Pop downsized from a larger two-bedroom unit to a one bedroom after I moved to Indy. It was on a quiet cul-de-sac off of the main drag, and because of that it looked like less of a concrete jungle than other parts of the city. The parking situation wasn舗t too bad, either. At least the city hadn舗t yet gotten greedy enough to install parking meters, like it had in other residential areas of the city, usually around high-rises with large populations.