British nationwide cinema has produced a good song list of leading edge, artistic and across the world well-known filmmakers, among them Alfred Hitchcock, Michael Powell and David Lean. this practice keeps this present day with the paintings of administrators as various as Neil Jordan, Stephen Frears, Mike Leigh, and Ken Loach. This concise, authoritative quantity analyzes severely the paintings of 1 hundred British administrators, from the innovators of the silent interval to modern auteurs.
An advent locations the person entries in context and examines the function and standing of the director inside of British movie construction. Balancing educational rigor with accessibility, British movie Directors offers an fundamental reference resource for movie scholars in any respect degrees, in addition to for the overall cinema enthusiast.
Key beneficial properties contain a whole record of every director’s British function motion pictures, a finished profession evaluate that incorporates biographical details and an review of the director’s present serious status, and advised additional interpreting on every one filmmaker.
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Additional resources for British Film Directors: A Critical Guide (International Film Directors)
British Feature Films: Shooting Stars (1928, co-directed with A. V. Bramble); Underground (1928); The Runaway Princess (1929); A Cottage on Dartmoor (1929); Tell England (1931, co-directed with Geoffrey Barkas); Dance Pretty Lady (1932); The Lucky Number (1933); Unfinished Symphony (1934, co-directed with Willy Forst); Moscow Nights (1935); Pygmalion (1938, co-directed with Leslie Howard); French Without Tears (1939); Freedom Radio (1940); Quiet Wedding (1941); Cottage to Let (1941); Uncensored (1942); We Dive at Dawn (1943); The Demi-Paradise (1943); Fanny by Gaslight (1944); The Way to the Stars (1945); While the Sun Shines (1947); The Winslow Boy (1948); The Woman in Question (1950); The Browning Version (1951); The Importance of Being Earnest (1952); The Final Test (1953); The Net (1953); The Young Lovers (1954); Carrington VC (1954); Orders to Kill (1958); The Doctor’s Dilemma (1958); Libel (1959); The Millionairess (1960); Two Living, One Dead (1961); Guns of Darkness (1962); The VIPs (1963); An Evening with the Royal Ballet (1963, documentary); The Yellow Rolls-Royce (1964).
He played a role in founding the National Film Finance Corporation (NFFC) in 1948 and in the 1950s became managing director of Group 3, a government-backed production venture whose first film, Judgment Deferred (1951), he produced and directed. His final film as director was the comedy western Ramsbottom Rides Again (1956) featuring another music hall stalwart, Arthur Askey. Baxter remains a somewhat unique figure of his time, whose continuing commitment to populist comedy and socially relevant drama made him a champion of working-class culture and a potent voice for the socially deprived.
More fascinating is The Singer Not the Song (1960), a project which Baker apparently loathed, but which is startling both for its borrowings from the western genre and for its fairly blatant foregrounding of Dirk Bogarde as an iconic gay figure. His appearance in skintight black leather is more than enough to turn the head of John Mills’s repressed Catholic priest. From the early 1960s Baker began to work on television and directed a number of episodes for some of the most popular and influential adventure series of the period, including The Avengers, The Saint, The Champions and Randall and Hopkirk (Deceased).