By Chuck Klosterman
New York Times bestselling writer Chuck Klosterman asks questions which are profound of their simplicity: How sure are we approximately our figuring out of gravity? How definite are we approximately our figuring out of time? what is going to be the defining reminiscence of rock track, years from at the present time? How heavily should still we view the content material of our goals? How heavily should still we view the content material of tv? Are all activities destined for extinction? Is it attainable that the best artist of our period is at present unknown (or—weirder still—widely identified, yet completely disrespected)? Is it attainable that we “overrate” democracy? and maybe most annoying, is it attainable that we’ve reached the top of knowledge?
Klosterman visualizes the modern international because it will seem to these who'll understand it because the far away past. Kinetically slingshotting via a wide spectrum of goal and subjective difficulties, But What If We’re Wrong? is outfitted on interviews with a number of artistic thinkers—George Saunders, David Byrne, Jonathan Lethem, Kathryn Schulz, Neil deGrasse Tyson, Brian Greene, Junot Díaz, Amanda Petrusich, Ryan Adams, Nick Bostrom, Dan Carlin, and Richard Linklater, between others—interwoven with the kind of high-wire humor and nontraditional research in basic terms Klosterman might dare to try. It’s a probably very unlikely success: a publication in regards to the issues we can't be aware of, defined as though we did. It’s approximately how we are living now, as soon as “now” has turn into “then.”
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Extra resources for But What If We’re Wrong?: Thinking About the Present As If It Were the Past
His assertion that our future literary canon will be populated with the types of people who currently tend to be excluded from it? That will happen. Such an evolution will occur. And the inevitability of that evolution makes deducing the profile of our hypothetical outlier that much harder. For most of the twentieth century, there was an ever-growing realization (at least among intellectuals) that the only way to understand the deeper truth about anything complicated was through “shadow histories”: those underreported, countercultural chronicles that had been hidden by the conformist monoculture and emerge only in retrospect.
It’s impossible to understand the world of today until today has become tomorrow. This is no brilliant insight, and only a fool would disagree. But it’s remarkable how habitually this truth is ignored. We constantly pretend our perception of the present day will not seem ludicrous in retrospect, simply because there doesn’t appear to be any other option. Yet there is another option, and the option is this: We must start from the premise that—in all likelihood—we are already wrong. And not “wrong” in the sense that we are examining questions and coming to incorrect conclusions, because most of our conclusions are reasoned and coherent.
Sudden Death (Over Time) The Case Against Freedom But What If We’re Right? Only the Penitent Man Shall Pass Acknowledgments Index I’ve spent most of my life being wrong. Not about everything. Just about most things. I mean, sometimes I get stuff right. I married the right person. I’ve never purchased life insurance as an investment. ” At a New Year’s Eve party in 2008, I predicted Michael Jackson would unexpectedly die within the next twelve months, an anecdote I shall casually recount at every New Year’s party I’ll ever attend for the rest of my life.