By Robert Louis Jackson
Drawing at the prose, poetry, and feedback of a wide variety of Russian writers and critics, together with Pushkin, Turgenev, Dostoevsky, Tolstoy, Chekhov, Bakhtin, Gorky, Nabokov, and Solzhenitsyn, shut Encounters: Essays on Russian Literature explores subject matters of probability and destiny, freedom and accountability, good looks and disfiguration, and loss and separation, in addition to recommendations of feedback and the ethical objective of artwork. via shut textual research, the writer deals a view of the solidarity of shape and content material in Russian writing and of its certain means to reveal the common within the element of human adventure. With an emphasis on Dostoevsky, shut Encounters foregrounds moral and non secular matters of Russian writers and stimulates the reader to pursue his or her personal severe exploration of Russian literature. This paintings can be of curiosity to educational libraries, collage scholars, and experts in literature, feedback, philosophy, and esthetics, in addition to enthusiastic common readers of Russian literature.
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Last words that now, poignantly and unambiguously, attest to his attachment not so much to himself as to Dona Anna. ” But the moment of change is the moment of death. Death puts an end to the individual’s ever-present freedom, a freedom that in Don Juan’s case has been systematically abused. ” Actions have consequences, Tolstoy observed in connection with his novel Anna Karenina. Pushkin’s Stone Guest is about many things, but it is also about consequences. Don Juan invites the knightcommander to his tryst with Dona Anna.
Observes Teglyov. ” By chance, Ridel strikes a hollow beam that produces a weird sound. By chance, precisely at this moment, a voice in the fog calls out “Iliusha” (the affectionate diminutive form for Il’ia). By chance, Teglyov’s girlfriend Masha, had indeed died unbeknownst to Teglyov. Finally, but for the chance foggy night, Ridel might have found Teglyov and prevented him from committing suicide. Chance, by definition, irrational and incomprehensible to mind and logic, plays an overwhelming role in the tragedy of Teglov.
A. Bestuzhev (pseud. Marlinsky), first of all. She also emphasizes autobiographical elements in the story. ”: The Riddle of the Story Turgenev several times stressed the importance of his story, though not without his usual admixture of apology and selfdeprecation where his works were concerned. Although he found it “a bit awkward to be defending one’s own things,” he nonetheless voiced strong objections to A. P. ” “‘Just what is it,’ you ask . . ”4 Three years later, Turgenev offered a similar defense of his story in a letter to S.