Dracula (Critical Insights) - download pdf or read online

By Bram Stoker

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While the character never appears on the show again, it seems that Dracula is alive and well in the popular imagination and in our cultural productions. Works Cited Arata, Stephen D. " The Horror Reader. Ed. Ken Gelder. New York: Routledge, 2000. 161-171. Bram Stoker's Dracula. Dir. Frances Ford Coppola. Perf. Gary Oldman, Winona Ryder, Anthony Hopkins, Keanu Reeves. DVD. Columbia Pictures, 1992. "Buffy vs. " Created by Joss Whedon. Dir. David Solomon. Buffy the Vampire Slayer. Season 5, Episode 1.

He never reinvests it in society; instead the money is an end in itself. What makes him even more terrifying is that his desire for consumption never ends as with capitalism itself. Rebecca Pope takes a Bakhtinian approach, viewing the female body as a site for the men to create their text; the woman's body resists this. She emphasizes the relation of the sexes to textuality in compilation and in the act of writing. Imperialism Other critics have looked carefully at Stoker's novel as an expression of Victorian dismay over Great Britain's powerful empire, which spanned the globe.

W. Mumau's 1922 masterpiece of black-and-white silent film, Nosferatu, eine Symphonie des Grauens {Nosferatu, a Symphony of Horror). Mumau was unable to secure the rights to film the novel, so the film makes a variety of changes; for instance, "Count Draeula" becomes "Count Orlok," the film is set in 1838 rather than the novel's 1890s, most of the characters' names are altered, and their home country is Germany, not England. But the changes were few enough that Stoker's estate successñilly sued for copyright infringement, winning a court order to have all copies of the film destroyed.

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