By François Caillat (ed.)
In his inner most lifestyles, in addition to in his paintings and political attitudes, Michel Foucault usually stood in contradiction to himself, particularly while his expansive rules collided with the associations during which he labored. In Francois Caillat's provocative selection of essays and interviews in line with his French documentary of a similar identify, prime modern critics and philosophers reframe Foucault's legacy that allows you to construct new methods of puzzling over his fight opposed to society's mechanisms of domination, demonstrating how clash in the self lies on the middle of Foucault's existence and work.
Includes a foreword written particularly for this version by means of Paul Rabinow, Professor of Anthropology on the college of California (Berkeley) and an influential author at the works of Foucault; he's the co-editor of the fundamental Foucault.
Foucault opposed to Himself good points essays and interviews by:
Leo Bersani, American Professor Emeritus of French on the collage of California (Berkeley) and the writer of Homos;
Georges Didi-Huberman, French thinker and artwork historian; his most modern publication is Gerhard Richter: Pictures/Series
Arlette Farge, French historian and the writer of The attract of the Archives;
Geoffroy de Lagasnerie, French thinker and the writer of los angeles derniere lecon de Michel Foucault.
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Over thirty years, Michel Foucault’s work traveled in different directions and took on different subjects, with an originality recognized by all and probably unequaled. Foucault against Himself—or how a major twentieth-century thinker succeeded in avoiding any single definition of himself and his work. ∞ Four movements will help us understand who Foucault really was. They are like waves, or musical phrases. They situate the contrasting faces of the man and his work inside fertile relationships, and contribute to a portrait of incompletion, constant reevaluation, and adjustments orchestrated by Foucault himself.
They were coming to listen to a Collège de France professor, that’s true, but for them he was both part of the institution and completely atypical, and he taught them something that went far beyond anything they had heard before. I don’t know of any other equivalent. Even with Bourdieu. At the time, other professors at the Collège de France never had an audience like that: an audience of militants. I attended Lacan’s seminars, and they were nothing like that. With Foucault, the audience was rapt.
He often said that he worked on discontinuities of evidence. What historians considered obvious, such as linearity, for example, or continuity. He introduced discontinuity and break-offs. In his work, unbinding yourself meant freeing yourself from the academic nature of average endeavor: scientific, intellectually normal, historical, sociological … A third answer would be this: unbinding himself, for him, was something very personal, it meant always being outside himself when he was indignant. There is a passage in Discipline and Punish about indignation: indignant, outside himself, the way we can be beside ourselves.