By Sterling Professor of the Humanities Harold Bloom
Relating Chaucer as "the significant literary artist within the English language" other than Shakespeare, Harold Bloom examines The Canterbury stories. additionally during this variation, Bloom particularly examines "Knight's story" and "Wife of Bath's story" in addition to its prologue. additionally featured is a complete biography of Geoffrey Chaucer, a user's consultant, exact plot summaries of every novel, extracts from vital severe essays, a whole bibliography of Chaucer's works, an index of subject matters and ideas, and editor's notes and creation via Harold Bloom. This sequence, Bloom's significant Poets, is edited by way of Harold Bloom, Sterling Professor of the arts, Yale collage; Henry W. and Albert A. Berg Professor of English, manhattan college Graduate university; preeminent literary critic of our time.
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Additional info for Geoffrey Chaucer (Bloom's Classic Critical Views)
1540 Henry VIII (1542–43) Henry Tudor (1491–1547), more commonly known as Henry VIII, king of England (reigned 1509–47), is perhaps most famous for his many wives, though he was also a formidable politician and, like many monarchs of his day, an occasional author. In the following statute, Henry is something of a critic, excepting Chaucer’s works, and The Canterbury Tales specifically, from an act of censure, an exception that clearly denotes the continuing popularity and importance of Chaucer’s writings, even in the highest of circles.
QQQ The Nource of dise and cardes, is werisom Ydlenesse, enemy of vertue, ye drowner of youthe, that tarieth in it, and as Chauser doth saye verie well in the Parsons tale, the greene path waye to hel, hauinge this thing appropriat vnto it, that where as other vices haue some cloke of honestie, onely ydlenes can neyther do wel, nor yet thinke wel. Whose horriblenes (Gaming) is so large, that it passed the eloquence of our Englishe Homer, to compasse it: yet because I euer thought hys sayinges to haue as muche authoritie, as eyther Sophocles or Euripides in Greke, therefore gladly do I remembre these verses of hys.
See whether wisdome and temperance in Vlisses and Diomedes, valure in Achilles, friendship in Nisus, and Eurialus, euen to an ignoraunt man, carry not an apparent shyning: and contrarily, the remorse of conscience in Oedipus, the soone repenting pride in Agamemnon, the selfe-deuouring crueltie in his Father Atreus, the violence of ambition in the two Theban brothers, the sowre-sweetnes of reuenge in Medaea, and to fall lower, the Terentian Gnato, and our Chaucer’s Pandar, so exprest, that we nowe vse their names to signifie their trades.