By Joel Selvin
The following Comes the evening is either a definitive account of the golden age of rhythm and blues of the early ’60s and the harrowing, finally tragic tale of songwriter and list manufacturer Bert Berns, whose meteoric profession was once fueled by means of his pending doom. His middle broken via rheumatic fever as a formative years, Berns used to be now not anticipated to dwell to work out 21. even if his identify is little remembered this day, Berns labored along the entire greats of the era—Jerry Leiber and Mike Stoller, Ahmet Ertegun and Jerry Wexler, Burt Bacharach, Phil Spector, Gerry Goffin and Carole King, an individual who was once an individual in big apple rhythm and blues. In seven speedy years, he went from no one to the head of the pops—producer of enormous r&b classics, songwriter of “Twist and Shout,” “My lady Sloopy,” “Piece of My Heart,” and others.
His fury to prevail led Berns to take advantage of his Mafia institutions to muscle Atlantic documents out in their partnership and intimidate new skills like Neil Diamond and Van Morrison, whom he had signed to his list label. Berns died at age 38 from a long-expected center assault, simply while he was once seeing his grandest plans and life’s pursuits pissed off and foiled.
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Additional info for Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues
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When it comes to facing discrimination, we need to understand subjective agency as a convoluted, ongoing, generative, and at times self-contradicting negotiation with pain. To reduce the issue of psychical injury to a simplistic and prescriptive pronouncement of black selfhatred is to miss a fundamental insight revealed by Clark's work and the works of those after him: that the psychology being dramatized by those children in the doll tests reveals the results, not the cause, of social relations.
When 1 learned how repulsive this disinterested violence was . . my shame floundered about for refuge. The best hiding place was love, 'thus the conversion from pristine sadism to fabricated hatred, to fraudulent love. It was a small step to Shirley Temple. " We are witnessing the loss of affective discrimination in the face of racial discrimination. The social lesson of racial minoritization reinforces itself through the imaginative loss of a never-possible perfection, whose loss the little girl must come to identify as a rejection of herself.