J.B. Priestley (Routledge Modern and Contemporary - download pdf or read online

By Maggie B. Gale

J. B. Priestley is the 1st booklet to supply a close and recent research of the big contribution made through this playwright, novelist, journalist and critic to 20th century British theatre. Priestley used to be usually criticised for being both too populist or too experimental and this examine unpicks the contradictions of a playwright and theatre theorist well-liked by audiences yet too usually disregarded by means of critics; describing and analysing intimately not just his performs but additionally their particular historic and modern productions. utilizing a mixture of archive, evaluate and significant fabrics, the publication re-locates Priestley as a theatre theorist of substance in addition to a playwright who challenged theatre conventions and assumptions approximately viewers expectancies, at a time whilst theatre used to be thought of either conservative and missing in innovation.    

Show description

Read or Download J.B. Priestley (Routledge Modern and Contemporary Dramatists) PDF

Best theatre books

's Fifty Key Theatre Directors PDF

"Fifty Key Theatre administrators covers the paintings of practitioners who've formed and driven again the limits of theatre and function. The authors offer transparent and insightful overviews of the techniques and influence of 50 of the main influential administrators of the 20th and twenty-first century from world wide.

Ubu roi by Alfred Jarry PDF

Le nine décembre 1896, un jeune homme crée le scandale en faisant jouer au Théâtre de l'Oeuvre une farce truculente, Ubu roi. "Merdre! " Sitôt le most popular mot lâché, l. a. salle siffle, hue, rit, proteste : le public est insulté, les conventions théâtrales bousculées, le gruesome s'introduit dans le théâtre d'avant-garde.

Get Babylon Girls: Black Women Performers and the Shaping of the PDF

Babylon ladies is a groundbreaking cultural background of the African American ladies who played in type shows—chorus strains, burlesque revues, cabaret acts, and the like—between 1890 and 1945. via a attention of the gestures, costuming, vocal recommendations, and stagecraft constructed by means of African American singers and dancers, Jayna Brown explains how those ladies formed the circulate and magnificence of an rising city pop culture.

Read e-book online Sitting Pretty: The Life and Times of Clifton Webb PDF

Greater than the other male celeb, the subtle Clifton Webb (1889-1966) triggered the movie-going public to alter its photograph of a number one guy. In an afternoon whilst major males have been purported to be robust, virile, and courageous, Clifton Webb projected a picture of turn, acerbic vanity. He used to be in a position to play every little thing from a decadent columnist (Laura) to a fertile father (Cheaper via the Dozen and The impressive Mr.

Extra info for J.B. Priestley (Routledge Modern and Contemporary Dramatists)

Example text

A play . . opens in a theatre that is not expensive to run. It is not a great success; it is not a failure; and for some time it just ‘ticks over’, neither making much money nor losing much. If such a play can be kept going for a year or so . . then after that it begins to acquire a prestige and a momentum as a long-run play . . it will achieve a reputation and be talked about . . until it becomes one of the productions that every visitor must try to see . . and then the box-office manager .

Although ‘theatre as a living symbol for the mystery of life’ seems far removed from Priestley’s more politically driven analyses of the state of theatre, it lies at the root of much of his writing on the subject: the notion of theatre as somehow ‘magical’, potentially transformative and 44 Life, politics and theory communal, is combined with a pragmatic approach to a vision of the ways in which the theatre industry might be restructured in order for society to gain fully from its educative, socially instructive and psychologically beneficial qualities.

The majority of this ‘new’ literature came in large part from a social class to which Priestley did not belong. He was a professional writer and an intellectual but there were real financial implications to his professional activity; he had no family money to fall back on should he fail to get published. In retrospect, however, Priestley had more in common with the modernists than the contemporary critique of his work suggests; a strong sense of the urban/rural divide, an interest in the idea and experience of time (see Levenson 2004), a desire to experiment with form – especially in theatre – and a repeated investigation of the psyche and so on.

Download PDF sample

Rated 4.96 of 5 – based on 46 votes

About the Author