By Teju Cole
With this choice of greater than fifty items on politics, images, trip, historical past, and literature, Teju Cole solidifies his position as one in all today’s strongest and unique voices. On web page after web page, deploying prose dense with good looks and concepts, he unearths clean and effective how you can interpret artwork, humans, and historic moments, taking in topics from Virginia Woolf, Shakespeare, and W. G. Sebald to Instagram, Barack Obama, and Boko Haram. Cole brings us new issues of James Baldwin within the age of Black Lives topic; the African American photographer Roy DeCarava, who, pressured to shoot with movie calibrated completely for white dermis tones, chanced on his option to a startling and real depiction of black matters; and (in an essay that encouraged either compliment and pushback whilst it first seemed) the White Savior business advanced, the procedure wherein African countries are sentimentally aided by way of an the United States “developed on pillage.”
Persuasive and provocative, erudite but available, Known and unusual Things is a chance to stay inside Teju Cole’s wide-ranging enthusiasms, curiosities, and passions, and an opportunity to determine the realm in fabulous and affecting new frames.
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Extra resources for Known and strange things: Essays
View on an alley. One lamppost shines on the asphalt. Experience, its beautiful slag. —from “Elegy” And, from “The Scattered Congregation,” which is in five short parts, these lines: We got ready and showed our home. The visitor thought: you live well. The slum must be inside you. … Nicodemus the sleepwalker is on his way to the Address. Who’s got the Address? Don’t know. But that’s where we’re going. There’s a kind of helplessness in many of the poems, the sense of being pulled along by something irresistible and invisible.
The visitor thought: you live well. The slum must be inside you. … Nicodemus the sleepwalker is on his way to the Address. Who’s got the Address? Don’t know. But that’s where we’re going. There’s a kind of helplessness in many of the poems, the sense of being pulled along by something irresistible and invisible. There are moments of tart social commentary, a sense of justice wounded (“The slum must be inside you”—for many years, Tranströmer worked as a psychologist at an institution for juvenile offenders).
This book tracks some of my most vital enthusiasms, and even the semi-alert reader will quickly determine which places and writers are my touchstones. But it also registers some first encounters, including encounters with certain things I now consider irreplaceable parts of my life. The man says, “No, my wife has reached the end of her rope. ” And one of his mates says, “Listen, it’s easy. ” “A twenty in my front pocket? ” “So that when you come home, in case you’ve thrown up on your shirt, you can tell her: ‘I’m sober, but some fellow in the pub threw up on my shirt.