Download e-book for iPad: Memoirs of a Courtesan in Nineteenth-Century Paris (European by Celeste Mogador, Monique Fleury Nagem

By Celeste Mogador, Monique Fleury Nagem

When Céleste Mogador's memoirs have been first released in 1854 and back in 1858, they have been instantly seized and condemned as immoral and wrong for public intake. For a reader in our extra forgiving instances, this notable rfile deals not just a portrait of the formative years of an clever, brave, and infinitely interesting Frenchwoman but additionally an exceptionally infrequent within examine the realm of the courtesans and prostitutes of nineteenth-century France.
 
Writing to conciliate judges and collectors, Mogador (born Céleste Venard in 1824) explains how with tenacity, wit, and audacity, she controlled to flee a tough youth and next lifetime of prostitution to turn into, successively, a darling of the dance halls, a circus rider, and an actress, all of the whereas attracting prosperous younger males who vied for her want. even if her account provides readers a peek into the rakish demimonde made well-known by means of Verdi's opera los angeles Traviata, its maximum price lies in its candid photograph of a spunky, self-educated girl who doggedly remodeled herself into an esteemed and prolific novelist and playwright, who fell in love with a count number and married him, and who made her identify synonymous with the bohemian lifetime of the 1840s and 1850s in Paris.

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Extra resources for Memoirs of a Courtesan in Nineteenth-Century Paris (European Women Writers)

Sample text

M. Vincent was nice to me the way G had been in the beginning, but like him, he was wasting his time. If he served me at the table, I would not eat. I was so miserable and became so hateful that I asked my mother to place me in apprenticeship. The next day she announced that the following Monday, I would enter the service of M. Grange, Rue du Temple. My heart was mortally grieved by the fact that I could be gotten rid of so promptly. I was already proud. I did not shed a tear. .     That Monday my mother took me to see M.

They picked up a candle and went to inspect the shore of the canal. There was no trace of the struggle. I was taken back home and to my mother, who, knowing that I had gone to Mme Vincent’s, thought I had stayed there. I was ice cold and my teeth were chattering. The doctor said he feared typhoid fever. He was not wrong. I was sick for two months. Grief played a big part in my illness because now I had no doubt my mother was in love with M. Vincent. I went back to work, but to get home, I had to cross the canal.

Vincent followed us, and if my mother was leaving the neighborhood, it was mainly to separate him from all his female acquaintances. My hatred grew. I told myself, ‘‘If only he had been the one thrown into the canal! . ’’     I spied on his actions. I think he really loved my mother, but it was impossible for him to be faithful. My mother was excessively jealous.  M. ’’ They would argue for a few days, but when they made up, I had lost just a little bit more of my mother’s affection.

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