By G. Chandra
A learn of designated varieties of mass violence, the narratives each variety calls for, and the collective identities comprised of and upon those, this book focuses round readings of popular and influential novels corresponding to Toni Morrisons cherished, Amy Tans the enjoyment success Club and Isabel Allendes the home of Spirits.
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Extra info for Narrating Violence, Constructing Collective Identities: 'To Witness These Wrongs Unspeakable'
Words came out like a violent torrent.
The term refers to the unique sense of time experienced by survivors of such events whereby a linear understanding of time is disrupted by the event of violence. Thus, the event exists within a frame of temporal referentiality of its own – it does not exist in the past against which a sense of present or future can be postulated. The survivor exists within this Durational Time even as she simultaneously exists within a traditional system of linear time. Thus, the violence (event or body) is always there, always alive.
If, as Clastres says, ‘the body mediates the acquisition of a knowledge [and that] that knowledge is inscribed on the body’ then this is the alternative ‘system’ of knowledge which Titus is positing. Indeed, it seems to be the only alternative to the surrender to the ‘pit’ (represented by Quintius and Martius), the voiceless ‘womb’, in his struggle to retain a language capable of such signification. Will cutting off of his own hands and tongue be a sufficient objective correlative to Lavinia’s body?